College of Communication and Fine Arts

 

Student Learning Outcomes by Department

 

 

Interdisciplinary Programs

Integrative Public Relations Major - BA, BAA, BS

Media Design, Production, and Technology Minor - BA, BAA, BS

Music Theatre Major - BFA

Museum Studies Minor - BA, BAA, BFA, BS, BS in BA

 

Art

Art History Minor - BA, BAA, BFA, BS - None on file

Art (2-Dimensional Concentration) - BA, BS

Art (2-Dimensioanl Concentration) - BAA
Art (2-Dimensional Concentration) - BFA

Art (3-Dimensional Concentration) - BA, BS

Art (3-Dimensioanl Concentration) - BAA
Art (3-Dimensional Concentration) - BFA
Art (Graphic Design) - BFA

Visual Arts Education - BS in Ed

MA in Art

MFA in Art

 

Broadcast and Cinematic Arts

Broadcast and Cinematic Arts Major - BA, BAA, BS

Broadcast and Cinematic Arts Major - BFA

Broadcast and Cinematic Arts Major - BS in Ed - None on file

MA in Broadcast and Cinematic Arts - None on file

 

Journalism

Journalism Major - BA, BS

 

Music

Master of Music, Music Education - None on file

Master of Music, Performing Music - None on file

Music Education Major: Choral

Music Education Major: Instrumental

Music Major - BA, BS

Music Major: Orchestral Instruments - BM

Music Major: Organ - BM

Music Major: Piano - BM

Music Major: Theory and Composition - BM

Music Major: Voice - BM

Music Minor: Classroom Music - BS in Ed, Elementary

 

Communication and Dramatic Arts

Dance Minor - BA, BS - None on file

Dance Minor - BS in Ed

Interpersonal and Public Communication Major - BA, BAA, BS

MA in Speech Communication and Dramatic Arts

Speech Major - BS in Ed, Secondary 

Theatre and Interpretation Major - BA, BS

Theatre and Interpretation Major - BFA

 

 

Integrative Public Relations Major - BA, BAA, BS

Upon graduation, students earning any of these degrees should:

I.    IPR majors will understand the knowledge base and the scholarly and critical practices that constitute the field of public relations.

Objectives - After completing the IPR program, students will be able to:   

  1. Explain the body of knowledge underlying public relations as a management function and apply the concepts to simulated and actual public relations situations.
  2. Discuss the historical development and theoretical perspectives of public relations.
  3. Understand and appreciate how various academic disciplines complement the practice of integrative public relations.

II.   IPR majors will be able to apply professional, legal and ethical standards to the practice of public relations.

     Objectives - After completing the IPR program, students will be able to:

  1. Identify and appreciate principle ideas underlying the PRSA Code of Ethics as they relate to public relations.
  2. Identify legal issues in the practice of public relations affecting the practitioner’s role and relationship to clients and the public.

III.  IPR majors will be able to exhibit competencies in researching, analyzing and developing public relations strategies in order to solve complex public relations problems.  

Objectives - After completing the IPR program, students will be able to:

  1. Understand and utilize oral, written and visual public relations tools needed to successfully communicate with an organization’s internal and external publics.
  2. Utilize critical thinking skills to conduct research using traditional and computerized methods as a means of evaluating and solving public relations problems.
  3. Explain the body of knowledge underlying public relations as a management function and apply the concepts to simulated and actual public relations situations.

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Media Design, Technology and Production Minor - BA, BAA, BS

Upon graduation, students earning any of these degrees should be able to:

  1. demonstrate skills in media design, production and technology;

  2. select and apply various design and production software programs;

  3. identify examples of the principles and practices of multimedia design; and

  4. recognize and appreciate the complexities of media design, production and technology and its impact on modern society.

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Music Theatre Major - BFA

Upon graduation, students earning this degree should be able to:

Goal 1:  Students should be able to sing.

Objectives:

1.1  recognize and perform a wide range of musical theatre vocal repertoire;

1.2  sing with technical and artistic skill and understanding; and

1.3  understand music theory and notation.

 

Goal 2:  Students should be able to dance.

Objectives:

2.1  recognize and differentiate between various forms of dance including, but not limited to, jazz, tap, ballet, and modern; and

2.2  dance with technical and artistic skill and understanding.

 

Goal 3:  Students should be able to act.

Objectives:

3.1  apply acting theory to characterization;

3.2  recognize and perform a wide range of acting styles; and

3.3  act with technical and artistic skill and understanding.

 

Goal 4:  Students should be able to sing, dance and act simultaneously.

Objectives:

4.1  understand the rehearsal process necessary to integrate musical theatre skills in performance; and

4.2  integrate singing, dancing and acting, or any combination of the three in performance.

 

Goal 5:  Students should know the history and repertoire of the musical theatre.

Objectives:

5.1  demonstrate knowledge of musical theatre literature (texts, dances, songs and theoretical works);

5.2  demonstrate knowledge of the development and history of musical theatre; and

5.3  understand how the development of musical theatre relates to musical theatre history, theatre history and music history.

 

Goal 6:  Students should understand the unique demands of the musical theatre on performers.

Objectives:

6.1  recognize and appreciate the skills required for musical theatre performance; and

6.2  recognize the skills necessary for a career in the musical theatre.

 

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Museum Studies Minor - BA, BAA, BFA, BS, BS in BA

Upon graduation, students earning any of these degrees will be able to:

 

Goal I:  Students will know the functions served by museum facilities.

Objectives:

  1. demonstrate a knowledge of methodologies used in collection management within general museums;

  2. assess the condition of and plan a strategy of curation for interdisciplinary collections (scientific, historical, art, and anthropological); and

  3. explain the fundamental principles behind museum programming, including both educational programs and exhibits.

Goal II:  Students will demonstrate a knowledge of the theoretical concepts, procedures, and terminology associated with the museum field.

Objectives:

  1. plan and implement a record-keeping process in a museum;

  2. explain the federal and state laws applicable to museum operations;

  3. discuss the practical politics and public relations needs of a facility; and

  4. explain the financial needs and funding opportunities available to museums.

Goal III:  Students will be able to critically evaluate exhibitions, educational programs, and collection management procedures.

Objectives:

  1. demonstrate a knowledge of exhibit types and basic design principles;

  2. describe the components and be able to plan quality interpretive programs;

  3. demonstrate a knowledge of environmental conditions that are hazardous to museum collections; and

  4. understand the basic principles associated with common museum activities.

Goal IV:  Students will be able to explain the career options associated with the museum field.

Objectives:

  1. explain an organization's staffing needs to accomplish goals;

  2. fulfill the responsibilities of an entry level position; and

  3. oversee the day-to-day operation of a museum facility.

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Art (2-D Concentration) - BA, BS

Upon graduation, students earning any of these degrees should be able to:

Foundations Program:

  1. Demonstrate various drawing methods, media, and techniques used in the visualization and rendering of  three-dimensional forms;

  2. Represent a variety of subject matter ranging from still-life to nature forms and the human figure;

  3. Understand the significance of aesthetics and style with regard to diverse modes of visual representation in art;

  4. Analyze and express the essential aspects of visual forms in a creative manner;

  5. Use appropriate visual and verbal vocabulary, including the elements and principles of design as related to their design work;

  6. Discuss historical and contemporary conceptual issues in design;

  7. Demonstrate expressive and technical skills with various materials, tools, and processes;

  8. Apply criteria for evaluation and methods of analysis for visual arts;

  9. Practice safe working procedures;

  10. Demonstrate his/her ability to think conceptually and creatively;

  11. Demonstrate a basic knowledge of aesthetic and visual language and their conceptual origins;

  12. Express an understanding of contemporary issues through visual, written and spoken communication;

  13. Think critically, and write and speak clearly about visual arts using appropriate visual and verbal vocabulary;

  14. Creatively translate ideas into visual terms using a wide range of art media and processes;

  15. Demonstrate an understanding of the wide range of contemporary and historical visual culture and its role in society;

  16. Demonstrate an understanding of color theory history;

  17. Utilize the perceptual effects of color;

  18. Discuss various color groupings used to create unity in a composition (complements, split-complements, triad, analogous);

  19. Demonstrate the use of color as a tool to create an emphasis area in a composition;

  20. Use color as a tool to create the illusion of three-dimensional space on a two-dimensional picture plane; and

  21. Demonstrate an understanding of the interaction of color with 3-D media

Concentration:

  1. Demonstrate skills in the tools, techniques, and processes necessary to produce work in their chosen media of emphasis;

  2. Discuss the history of art as it relates to their media;

  3. Develop a visual vocabulary for making and a critical language for analyzing art;

  4. Develop strategies for professional presentation of their artwork; and

  5. Demonstrate research and problems solving skills on independent projects.

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Art (2-D Concentration) - BAA

Upon graduation, students earning this degree should be able to:

Foundations Program:

  1. Demonstrate various drawing methods, media, and techniques used in the visualization and rendering of  three-dimensional forms;

  2. Represent a variety of subject matter ranging from still-life to nature forms and the human figure;

  3. Understand the significance of aesthetics and style with regard to diverse modes of visual representation in art;

  4. Analyze and express the essential aspects of visual forms in a creative manner;

  5. Use appropriate visual and verbal vocabulary, including the elements and principles of design as related to their design work;

  6. Discuss historical and contemporary conceptual issues in design;

  7. Demonstrate expressive and technical skills with various materials, tools, and processes;

  8. Apply criteria for evaluation and methods of analysis for visual arts;

  9. Practice safe working procedures;

  10. Demonstrate his/her ability to think conceptually and creatively;

  11. Demonstrate a basic knowledge of aesthetic and visual language and their conceptual origins;

  12. Express an understanding of contemporary issues through visual, written and spoken communication;

  13. Think critically, and write and speak clearly about visual arts using appropriate visual and verbal vocabulary;

  14. Creatively translate ideas into visual terms using a wide range of art media and processes;

  15. Demonstrate an understanding of the wide range of contemporary and historical visual culture and its role in society;

  16. Demonstrate an understanding of color theory history;

  17. Utilize the perceptual effects of color;

  18. Discuss various color groupings used to create unity in a composition (complements, split-complements, triad, analogous);

  19. Demonstrate the use of color as a tool to create an emphasis area in a composition;

  20. Use color as a tool to create the illusion of three-dimensional space on a two-dimensional picture plane; and

  21. Demonstrate an understanding of the interaction of color with 3-D media

Concentration:

  1. Demonstrate skills in the tools, techniques, and processes needed to produce work in their media of emphasis;

  2. Discuss the history of art as it relates to their media;

  3. Investigate and discuss contemporary practice and theory as it relates to their media;

  4. Refine a visual vocabulary for making and a critical language for analyzing art;

  5. Produce a professional portfolio of their work;

  6. Demonstrate research and problem solving skills on independent projects; and

  7. Reflect and write about their art making process.

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Art (2-D Concentration) - BFA

Upon graduation, students earning this degree should be able to:

Foundations Program:

  1. Demonstrate various drawing methods, media, and techniques used in the visualization and rendering of  three-dimensional forms;

  2. Represent a variety of subject matter ranging from still-life to nature forms and the human figure;

  3. Understand the significance of aesthetics and style with regard to diverse modes of visual representation in art;

  4. Analyze and express the essential aspects of visual forms in a creative manner;

  5. Use appropriate visual and verbal vocabulary, including the elements and principles of design as related to their design work;

  6. Discuss historical and contemporary conceptual issues in design;

  7. Demonstrate expressive and technical skills with various materials, tools, and processes;

  8. Apply criteria for evaluation and methods of analysis for visual arts;

  9. Practice safe working procedures;

  10. Demonstrate his/her ability to think conceptually and creatively;

  11. Demonstrate a basic knowledge of aesthetic and visual language and their conceptual origins;

  12. Express an understanding of contemporary issues through visual, written and spoken communication;

  13. Think critically, and write and speak clearly about visual arts using appropriate visual and verbal vocabulary;

  14. Creatively translate ideas into visual terms using a wide range of art media and processes;

  15. Demonstrate an understanding of the wide range of contemporary and historical visual culture and its role in society;

  16. Demonstrate an understanding of color theory history;

  17. Utilize the perceptual effects of color;

  18. Discuss various color groupings used to create unity in a composition (complements, split-complements, triad, analogous);

  19. Demonstrate the use of color as a tool to create an emphasis area in a composition;

  20. Use color as a tool to create the illusion of three-dimensional space on a two-dimensional picture plane; and

  21. Demonstrate an understanding of the interaction of color with 3-D media

Concentration:

  1. Demonstrate skills in the tools, techniques, and processes to produce work in their chosen media of emphasis;

  2. Demonstrate an understanding of the place of the media of emphasis in the history of art, as well as in contemporary theory and practices;

  3. Demonstrate facile use of visual vocabulary for making and a sophisticated critical language for analyzing art;

  4. Demonstrate a high degree of professionalism in presenting and exhibiting their work and portfolio;

  5. Work independently on projects, using research and problem solving skills; and

  6. Reflect and write about their art making process, including resume, artist statement, grant-writing and culminating in a BFA thesis.

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Art (3-D Concentration) - BA, BS

Upon graduation, students earning any of these degrees should be able to:

Foundations Program:

  1. Demonstrate various drawing methods, media, and techniques used in the visualization and rendering of  three-dimensional forms;

  2. Represent a variety of subject matter ranging from still-life to nature forms and the human figure;

  3. Understand the significance of aesthetics and style with regard to diverse modes of visual representation in art;

  4. Analyze and express the essential aspects of visual forms in a creative manner;

  5. Use appropriate visual and verbal vocabulary, including the elements and principles of design as related to their design work;

  6. Discuss historical and contemporary conceptual issues in design;

  7. Demonstrate expressive and technical skills with various materials, tools, and processes;

  8. Apply criteria for evaluation and methods of analysis for visual arts;

  9. Practice safe working procedures;

  10. Demonstrate his/her ability to think conceptually and creatively;

  11. Demonstrate a basic knowledge of aesthetic and visual language and their conceptual origins;

  12. Express an understanding of contemporary issues through visual, written and spoken communication;

  13. Think critically, and write and speak clearly about visual arts using appropriate visual and verbal vocabulary;

  14. Creatively translate ideas into visual terms using a wide range of art media and processes;

  15. Demonstrate an understanding of the wide range of contemporary and historical visual culture and its role in society;

  16. Demonstrate an understanding of color theory history;

  17. Utilize the perceptual effects of color;

  18. Discuss various color groupings used to create unity in a composition (complements, split-complements, triad, analogous);

  19. Demonstrate the use of color as a tool to create an emphasis area in a composition;

  20. Use color as a tool to create the illusion of three-dimensional space on a two-dimensional picture plane; and

  21. Demonstrate an understanding of the interaction of color with 3-D media

Concentration:

  1. Demonstrate skills in the tools, techniques, and processes necessary to produce work in their chosen media of emphasis;

  2. Discuss the history of art as it relates to their media;

  3. Develop a visual vocabulary for making and a critical language for analyzing art;

  4. Develop strategies for professional presentation of their artwork; and

  5. Demonstrate research and problem solving skills on independent projects.

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Art (3-D Concentration) - BAA

Upon graduation, students earning this degree should be able to:

Foundations Program:

  1. Demonstrate various drawing methods, media, and techniques used in the visualization and rendering of  three-dimensional forms;

  2. Represent a variety of subject matter ranging from still-life to nature forms and the human figure;

  3. Understand the significance of aesthetics and style with regard to diverse modes of visual representation in art;

  4. Analyze and express the essential aspects of visual forms in a creative manner;

  5. Use appropriate visual and verbal vocabulary, including the elements and principles of design as related to their design work;

  6. Discuss historical and contemporary conceptual issues in design;

  7. Demonstrate expressive and technical skills with various materials, tools, and processes;

  8. Apply criteria for evaluation and methods of analysis for visual arts;

  9. Practice safe working procedures;

  10. Demonstrate his/her ability to think conceptually and creatively;

  11. Demonstrate a basic knowledge of aesthetic and visual language and their conceptual origins;

  12. Express an understanding of contemporary issues through visual, written and spoken communication;

  13. Think critically, and write and speak clearly about visual arts using appropriate visual and verbal vocabulary;

  14. Creatively translate ideas into visual terms using a wide range of art media and processes;

  15. Demonstrate an understanding of the wide range of contemporary and historical visual culture and its role in society;

  16. Demonstrate an understanding of color theory history;

  17. Utilize the perceptual effects of color;

  18. Discuss various color groupings used to create unity in a composition (complements, split-complements, triad, analogous);

  19. Demonstrate the use of color as a tool to create an emphasis area in a composition;

  20. Use color as a tool to create the illusion of three-dimensional space on a two-dimensional picture plane; and

  21. Demonstrate an understanding of the interaction of color with 3-D media

Concentration:

  1. Demonstrate skills in the tools, techniques, and processes necessary to produce work in their chosen media of emphasis;

  2. Discuss the history of art as it relates to their media;

  3. Investigate and discuss contemporary practice and theory as it relates to their media;

  4. Refine a visual vocabulary for making and a critical language for analyzing art;

  5. Produce a professional portfolio of their work;

  6. Demonstrate research and problem solving skills on independent projects; and

  7. Reflect and write about their art making process.

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Art (3-D Concentration) - BFA

Upon graduation, students earning this degree should be able to:

Foundations Program:

  1. Demonstrate various drawing methods, media, and techniques used in the visualization and rendering of  three-dimensional forms;

  2. Represent a variety of subject matter ranging from still-life to nature forms and the human figure;

  3. Understand the significance of aesthetics and style with regard to diverse modes of visual representation in art;

  4. Analyze and express the essential aspects of visual forms in a creative manner;

  5. Use appropriate visual and verbal vocabulary, including the elements and principles of design as related to their design work;

  6. Discuss historical and contemporary conceptual issues in design;

  7. Demonstrate expressive and technical skills with various materials, tools, and processes;

  8. Apply criteria for evaluation and methods of analysis for visual arts;

  9. Practice safe working procedures;

  10. Demonstrate his/her ability to think conceptually and creatively;

  11. Demonstrate a basic knowledge of aesthetic and visual language and their conceptual origins;

  12. Express an understanding of contemporary issues through visual, written and spoken communication;

  13. Think critically, and write and speak clearly about visual arts using appropriate visual and verbal vocabulary;

  14. Creatively translate ideas into visual terms using a wide range of art media and processes;

  15. Demonstrate an understanding of the wide range of contemporary and historical visual culture and its role in society;

  16. Demonstrate an understanding of color theory history;

  17. Utilize the perceptual effects of color;

  18. Discuss various color groupings used to create unity in a composition (complements, split-complements, triad, analogous);

  19. Demonstrate the use of color as a tool to create an emphasis area in a composition;

  20. Use color as a tool to create the illusion of three-dimensional space on a two-dimensional picture plane; and

  21. Demonstrate an understanding of the interaction of color with 3-D media

Concentration:

  1. Demonstrate skills in the tools, techniques, and processes necessary to produce work in their chosen media of emphasis;

  2. Demonstrate an understanding of the place of the media of emphasis in the history of art, as well as in contemporary theory and practices;

  3. Develop facile use of visual vocabulary for making and a sophisticated critical language for analyzing art;

  4. Demonstrate a high degree of professionalism in presenting and exhibiting their work and portfolio;

  5. Work independently on projects, using research and problem solving skills; and

  6. Reflect and write about their art making process, including resume, artist statement, grant-writing, and culminating in a BFA thesis.

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Art (Graphic Design) - BFA

Upon graduation, students earning this degree should be able to:

Foundations Program:

  1. Demonstrate various drawing methods, media, and techniques used in the visualization and rendering of  three-dimensional forms;

  2. Represent a variety of subject matter ranging from still-life to nature forms and the human figure;

  3. Understand the significance of aesthetics and style with regard to diverse modes of visual representation in art;

  4. Analyze and express the essential aspects of visual forms in a creative manner;

  5. Use appropriate visual and verbal vocabulary, including the elements and principles of design as related to their design work;

  6. Discuss historical and contemporary conceptual issues in design;

  7. Demonstrate expressive and technical skills with various materials, tools, and processes;

  8. Apply criteria for evaluation and methods of analysis for visual arts;

  9. Practice safe working procedures;

  10. Demonstrate his/her ability to think conceptually and creatively;

  11. Demonstrate a basic knowledge of aesthetic and visual language and their conceptual origins;

  12. Express an understanding of contemporary issues through visual, written and spoken communication;

  13. Think critically, and write and speak clearly about visual arts using appropriate visual and verbal vocabulary;

  14. Creatively translate ideas into visual terms using a wide range of art media and processes;

  15. Demonstrate an understanding of the wide range of contemporary and historical visual culture and its role in society;

  16. Demonstrate an understanding of color theory history;

  17. Utilize the perceptual effects of color;

  18. Discuss various color groupings used to create unity in a composition (complements, split-complements, triad, analogous);

  19. Demonstrate the use of color as a tool to create an emphasis area in a composition;

  20. Use color as a tool to create the illusion of three-dimensional space on a two-dimensional picture plane; and

  21. Demonstrate an understanding of the interaction of color with 3-D media

Concentration:

  1. Demonstrate skills in the basic use of tools, techniques, and processes needed to produce original works;

  2. Demonstrate conceptual abilities to synthesize layout, design, and color theory at advanced levels;

  3. Demonstrate an understanding of the place of design in the history of art and culture, as well as in contemporary theory and practices;

  4. Gain exposure to non-traditional, un-commercial, and cross-cultural forms of practice;

  5. Demonstrate facile use of visual vocabulary for making, and a sophisticated critical language for analyzing art;

  6. Gain experience across the medium with letterform, printing, animation, web and new electronic media, and other emerging technologies;

  7. Work independently on projects, using research and problem solving skills;

  8. Gain experience and practice in critical methods;

  9. Develop a high degree of professionalism in presenting their work and portfolio through exhibition, publication, and freelance opportunities; and

  10. Reflect and write about their design process, include resume, artist statement, grant-writing, and culminating in a BFA thesis

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Visual Arts Education - BS in Ed

Upon graduation, students earning this degree should be able to:

Foundations Program:

  1. Demonstrate various drawing methods, media, and techniques used in the visualization and rendering of  three-dimensional forms;

  2. Represent a variety of subject matter ranging from still-life to nature forms and the human figure;

  3. Understand the significance of aesthetics and style with regard to diverse modes of visual representation in art;

  4. Analyze and express the essential aspects of visual forms in a creative manner;

  5. Use appropriate visual and verbal vocabulary, including the elements and principles of design as related to their design work;

  6. Discuss historical and contemporary conceptual issues in design;

  7. Demonstrate expressive and technical skills with various materials, tools, and processes;

  8. Apply criteria for evaluation and methods of analysis for visual arts;

  9. Practice safe working procedures;

  10. Demonstrate his/her ability to think conceptually and creatively;

  11. Demonstrate a basic knowledge of aesthetic and visual language and their conceptual origins;

  12. Express an understanding of contemporary issues through visual, written and spoken communication;

  13. Think critically, and write and speak clearly about visual arts using appropriate visual and verbal vocabulary;

  14. Creatively translate ideas into visual terms using a wide range of art media and processes;

  15. Demonstrate an understanding of the wide range of contemporary and historical visual culture and its role in society;

  16. Demonstrate an understanding of color theory history;

  17. Utilize the perceptual effects of color;

  18. Discuss various color groupings used to create unity in a composition (complements, split-complements, triad, analogous);

  19. Demonstrate the use of color as a tool to create an emphasis area in a composition;

  20. Use color as a tool to create the illusion of three-dimensional space on a two-dimensional picture plane; and

  21. Demonstrate an understanding of the interaction of color with 3-D media

Concentration:

  1. Demonstrate knowledge of the role of the arts in people's lives in which they come to understand the artistic achievements of their own and other societies, past and present;

  2. Demonstrate an ability to communicate through the arts in which students develop competencies in perceiving, creative thinking, qualitative problem solving, and technical proficiency;

  3. Demonstrate an ability to respond to the arts in which students perceive aesthetic relationships, interpret meanings, and judge significance; and

  4. Demonstrate an understanding of why people value the arts in which students formulate their own personal philosophies of the arts.

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MA in Art

Upon graduation, students earning this degree should be able to:

  1. demonstrate an understanding of the place of the media in the history of art, as well as contemporary theory and practices;

  2. demonstrate facile use of visual vocabulary for making images and a sophisticated critical language for analyzing art;

  3. demonstrate a high degree of professionalism in presenting and exhibiting their work and portfolio for submission to regional and national competitions;

  4. work independently on projects, using research and problem solving skills; and

  5. reflect and write about their art-making process, including resume, grant writing, artist statement, other critical writing, culminating in a MA thesis.

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MFA in Art

Upon graduation, students earning this degree should be able to:

  1. Demonstrate an understanding of the history of their media by incorporating this body of knowledge in their artwork;

  2. Demonstrate fluency in contemporary theory and practice as it applies to their master's project;

  3. Demonstrate a mastery of visual vocabulary for making a body of work and a critical language for analysis;

  4. Demonstrate a high degree of professionalism in presenting and exhibiting their work and portfolio for submission in regional and national competitions;

  5. Write, reflect, analyze, and articulate the influences on their art work;

  6. Demonstrate professional writing skills including an artist statement, resume, grants and other proposals, and culminating in a comprehensive master's thesis;

  7. Work independently as an artist; doing research and problem solving to refine their personal style as a visual artist; and

  8. Produce a sophisticated body of work, which is their master's exhibition

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Broadcast and Cinematic Arts Major - BA, BAA, BS

Upon graduation, students earning earning of these degrees should be able to:

  1. exhibit familiarity with multiple theories of mass communication and the roles of media in society;

  2. apply these mass communication theories in analyzing media production;

  3. perform basic audio production functions including operation of equipment, use of sound support mechanisms, and organizing of appropriate behaviors necessary to the creation of industry-acceptable packages of audio communication;

  4. integrate the sound, illumination, and pictorial elements of video production to create purposeful television communications via effective manipulation of equipment and technical personnel;

  5. identify and describe the impact of important individuals, organizations, systems and technologies on the historic and projective development of electronic communications in the United States;

  6. write effective radio and television continuity through formulation of a copy strategy, construction of a message that meets that strategy, and formatting of that message in industry-accepted script and story-board form;

  7. dissect and evaluate mass media messages of varying lengths and types by application of several different critical yardsticks including economic, aesthetic, ethical, sociological, psychological, and structural;

  8. address key continuing conflict points with which media professionals must cope;

  9. apply federal administrative rules and regulations as well as judicial precedents to everyday electronic media situations; and

  10. discriminate between those rules and regulations which can be dealt with by the media practitioner and those requiring professional legal advice.

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Broadcast and Cinematic Arts Major - BFA

Upon graduation, students earning this degree should be able to:

  1. exhibit familiarity with multiple theories of mass communication and the roles of media in society;

  2. apply these mass communication theories in analyzing media production content and utilization within historical, social, cultural, psychological, and artistic contexts;

  3. perform basic audio production functions including operation of equipment, use of sound support mechanisms, and organizing of appropriate behaviors necessary to the creation of industry-acceptable packages of audio communication;

  4. integrate the sound, illumination, and pictorial elements of video production to create purposeful television communications via effective manipulation of equipment and technical personnel;

  5. identify and describe the impact of important individuals, organizations, systems and technologies on the historic and projective development of electronic communications in the United States;

  6. write effective radio and television continuity through formulation of a copy strategy, construction of a message that meets that strategy, and formatting of that message in industry-accepted script and storyboard form;

  7. dissect and evaluate mass media messages of varying lengths and types by application of several different critical yardsticks including economic, aesthetic, ethical, sociological, psychological, and structural;

  8. address key continuing conflict points with which medial professionals must cope;

  9. apply federal administrative rules and regulations as well as judicial precedents of everyday electronic media situations;

  10. discriminate between those rules and regulations which can be dealt with by the media practitioner and those requiring professional legal advice; and

  11. execute and critically evaluate a variety of performance tasks including radio announcing, radio and television newscasting, reporting, hosting and interviewing.

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MA in Broadcast and Cinematic Arts

Upon graduation, students earning this degree should be able to:

  1. identify relevant scholarly journals and analyze and critique their content;

  2. describe and apply appropriate analytical research techniques;

  3. describe current issues in mass communication;

  4. identify and apply appropriate approaches to the development of research questions and hypotheses;

  5. define and apply appropriate theoretical perspectives and research methodologies;

  6. identify and describe the primary contributors to U.S. telecommunication policy and important philosophical considerations regarding policy;

  7. describe the major parties involved in current issues and their positions and perspectives on the issues;

  8. identify and describe the aesthetic and ideological assumpti0ns of media and film theory and criticism; and

  9. demonstrate the skills needed to rigorously examine the impact of the electronic and film media on contemporary society.

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Advertising Minor - BA, BAA, BS, BS in BA

Upon graduation, students earning any of these degrees will be able to:

 

Outcome 1:  Demonstrate understanding of, evaluate, and be able to apply a     

                        market/advertising orientation.

 

Outcome 2:  Demonstrate understanding of, plan, complete, and evaluate an advertising

                        campaign.                           

  1. Demonstrate understanding of and apply marketing principles.

  2. Demonstrate understanding of and apply advertising principles.

  3. Demonstrate understanding of and apply concepts of visual communication, art and design.

  4. Demonstrate understanding of and apply principles of good copy writing and exercise appropriate editing judgments.

  5. Evaluate an advertising campaign using sound ethical judgment.

  6. Evaluate an advertising program from a managerial perspective.

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Journalism Major BA, BS

Upon graduation, students earning any of these degrees should be able to:

 

Goal 1:  Provide students with a body of knowledge and a system of inquiry and scholarship that inform and enrich their professional preparation.

1.1  Explain the history, functions, processes, law and ethics of journalism and mass communication, including new media.

1.2  Explain how globalization and convergence affect the functioning of the media in an increasingly consolidated yet diverse environment.

 

Goal 2:  Prepare students for jobs in which they are accountable to their employers.

2.1  Gather, analyze,  organize, synthesize and communicate information (words, images, numbers) to particular audiences and through specific delivery systems.

2.2  Use language, images and numbers effectively.

2.3  Edit their own work and the work of others.

2.4  Evaluate credible and diverse sources of information and commentary.  

2.5  Use the tools and technologies appropriate for the profession in which they work.

2.6  Think critically, creatively, independently and collaboratively.

 

Goal 3:  Prepare students for a profession in which they are accountable for their knowledge, ethics, service and competency tot he public, their clients and consumers.

3.1  Explain how race, ethnicity, gender, class and sexual orientation interact with law, public policy, employment, social relations and culture in American society.

3.2  Explain the history and role of business entrepreneurs, innovators, professionals and institutions in shaping communications.

3.3  Apply principles of the First Amendment and the law to issues that arise in professional practice.

3.4  Demonstrate proficiency in the output of product from professional practice as well as in establishing truth, accuracy, fairness, diversity and respect for others.

 

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Music Major

This program covers students earning the:

Music Education Major: Choral
Music Education Major: Instrumental

Upon graduation, students earning any of these degrees should:

  1. be able to demonstrate the ability to hear, identify, and work conceptually with the elements of music -- rhythm, melody, harmony, and structure;

  2. be able to demonstrate an understanding of compositional processes, aesthetic properties of style, and the ways these shape and are shaped by artistic and cultural forces;

  3. be able to demonstrate an acquaintance with a wide selection of musical literature, the principal eras, genres, and cultural sources;

  4. be able to demonstrate ability in performing areas appropriate to their needs and interests;

  5. have developed an understanding of and experience in art forms other than music.

MDE Standards - Music Education

Music Theory

Understand written notation in a given score excerpt.

Includes names of notes on a given clef; and common musical symbols.

 

Identify keys and scales in a given score excerpt.

Includes key signatures; and types and characteristics of scales.

 

Identify melodic elements in a given score excerpt.

Includes types of melodic structure, devices, and intervals.

 

Understand the effects of meter in a given score excerpt.

Includes time signatures and appropriate conducting patterns.

 

Interpret tempo and dynamic markings in a given score excerpt.

Includes tempo and dynamic markings.

 

Interpret musical terms and symbols in a given score excerpt.

Includes expressive terms and symbols used in music; articulation symbols; and common embellishments.

 

Understand chordal structure in a given score excerpt.

Includes the quality of specified chords; chord inversions; and chord intervals.

 

Understand harmonic function in a given score excerpt.

Includes the relationship among chords; types of nonharmonic tones; and types of cadences.

 

Identify types and characteristics of compositional forms.

Includes types and characteristics of simple and complex compositional forms.

 

Identify techniques used in musical composition.

Includes types and characteristics of compositional structures and devices.

 

Understand the principles and methods of sound production.

Includes the principles of sound production; and components of the process of producing vocal and instrumental tone.

 

Music Education

Understand characteristics of the human voice.

Includes common vocal classifications and ranges; and the stages of vocal maturation.

 

Understand the characteristics of orchestral instruments.

Includes the characteristics of woodwind, brass, string, and percussion instruments.

 

Understand the characteristics of classroom and social instruments.

Includes the types and characteristics of classroom and social instruments.

 

Identify characteristics of appropriate educational materials for a variety of music education settings.

Includes appropriate characteristics of literature for instrumental and vocal ensembles; appropriate characteristics of classroom materials for general music situations; and procedures for compliance with copyright laws.

 

Understand the types, characteristics, and applications of electronic equipment in a school music setting.

Includes types and characteristics of electronic instruments; and uses of computers in music instruction settings.

 

Identify stylistic performance practices for vocal and instrumental music.

Includes stylistic performance practices appropriate for various historical periods and ensembles.

 

Apply techniques of scoring and arranging in a school music situation.

Includes methods of scoring and arranging for various groups of instruments and voices.

 

Apply techniques of conducting to a given school situation.

Includes the common beat patterns and expressive techniques used in conducting.

 

Understand the relationship of music to other art forms.

Includes elements common to all art forms; elements unique to each art form; and ways in which music contributes to works of art in other media.

 

Understand ways to integrate music into other areas of the educational curriculum.

Includes ways to integrate music into other subjects at different grade levels and to interrelate music and other performing arts.

 

Understand teaching methods for elementary music education (K-5).

Includes types of teaching methods and educational approaches unique to music education; and skills and concepts appropriate for elementary music education.

 

Identify appropriate teaching methods for secondary music education (6-12).

Includes types of teaching methods and educational approaches unique to music education; skills, concepts, and activities appropriate for secondary music education; and types and characteristics of assessment methods unique to music.

 

Understand specialized music instruction (i.e., instruction for students with special education needs).

Includes learning objectives appropriate for gifted or disabled students; procedures for adapting music activities for students with special education needs in a mainstream situation; music activities appropriate for disabled students in a self-contained special education situation; and ways in which the music teacher can help other teachers use music in the instruction of students with special education needs.

 

Understand the basic values of music for all students.

Includes the application of music activities toward the development of aesthetic values; the realization of each individual’s musical potential; awareness of our broad cultural heritage; and opportunities for lifelong involvement in music.

 

Music History and Culture

Understand the developments in and characteristics of music from the major historical periods.

Includes major developments that characterize the baroque, classical, romantic, and modern periods.

 

Identify the contributions of major composers to the development of music history.

Includes the contributions of composers of the baroque, classical, romantic, and modern periods to the development of music history.

 

Identify types and characteristics of music (including instruments) from traditions that have influenced music in the United States.

Includes types and characteristics of Afro-American music; folk music based on European traditions; and music from South America, Central America, and the Caribbean.

 

Identify types and characteristics of traditional music (including instruments) from Asia, Africa, Europe, and the Middle East.

Includes types and characteristics of Asian, African, European folk, and Middle Eastern music.

 

Understand the relationship between music and American society and culture.

Includes significant musicians and composers and their contributions to the music of modern American society; ways in which examples of music from modern American society reflect the contributions of other cultures; ways in which society affects music; and ways in which music incorporates cultural and historical themes.

 

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Music Major - BA, BS

Upon graduation, students earning this degree should:

  1. be able to demonstrate the ability to hear, identify, and work conceptually with the elements of music -- rhythm, melody, harmony, and structure;

  2. be able to demonstrate an understanding of compositional processes, aesthetic properties of style, and the ways these shape and are shaped by artistic and cultural forces;

  3. be able to demonstrate an acquaintance with a wide selection of musical literature, the principal eras, genres, and cultural sources;

  4. be able to demonstrate ability in performing areas appropriate to their needs and interests;

  5. have developed an understanding of and experience in art forms other than music.

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Music Major

This Program covers students earning the:

Music Major: Orchestral Instruments - BM
Music Major: Organ - BM
Music Major: Piano - BM
Music Major: Theory and Composition - BM
Music Major: Voice - BM

Upon graduation, students earning any of these degrees should:

  1. be able to demonstrate achievement of professional, entry-level competence in the area of specialization, including significant technical mastery, capability to produce work and solve professional problems independently, and a coherent set of artistic/intellectual goals which are evident in their work;

  2. be able to demonstrate the ability to communicate musical ideas, concepts, and requirements to professionals and lay persons related to the practice of the major field. Such communication may involve musical, oral, written, and visual media;

  3. be able to demonstrate a conceptual understanding of musical components and processes;

  4. be able to demonstrate competence in creating, interpreting, presenting, analyzing, and evaluating music.

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Music Minor: Classroom Music - BS in Ed, Elementary

MDE Standards - Music Education

TEST OBJECTIVES

Music Education

Music Theory

Music Education

Music History and Culture

 

Music Theory

Understand written notation in a given score excerpt.

Includes names of notes on a given clef; and common musical symbols.

 

Identify keys and scales in a given score excerpt.

Includes key signatures; and types and characteristics of scales.

 

Identify melodic elements in a given score excerpt.

Includes types of melodic structure, devices, and intervals.

 

Understand the effects of meter in a given score excerpt.

Includes time signatures and appropriate conducting patterns.

 

Interpret tempo and dynamic markings in a given score excerpt.

Includes tempo and dynamic markings.

 

Interpret musical terms and symbols in a given score excerpt.

Includes expressive terms and symbols used in music; articulation symbols; and common embellishments.

 

Understand chordal structure in a given score excerpt.

Includes the quality of specified chords; chord inversions; and chord intervals.

 

Understand harmonic function in a given score excerpt.

Includes the relationship among chords; types of nonharmonic tones; and types of cadences.

 

Identify types and characteristics of compositional forms.

Includes types and characteristics of simple and complex compositional forms.

 

Identify techniques used in musical composition.

Includes types and characteristics of compositional structures and devices.

 

Understand the principles and methods of sound production.

Includes the principles of sound production; and components of the process of producing vocal and instrumental tone.

 

Music Education

Understand characteristics of the human voice.

Includes common vocal classifications and ranges; and the stages of vocal maturation.

 

Understand the characteristics of orchestral instruments.

Includes the characteristics of woodwind, brass, string, and percussion instruments.

 

Understand the characteristics of classroom and social instruments.

Includes the types and characteristics of classroom and social instruments.

 

Identify characteristics of appropriate educational materials for a variety of music education settings.

Includes appropriate characteristics of literature for instrumental and vocal ensembles; appropriate characteristics of classroom materials for general music situations; and procedures for compliance with copyright laws.

 

Understand the types, characteristics, and applications of electronic equipment in a school music setting.

Includes types and characteristics of electronic instruments; and uses of computers in music instruction settings.

 

Identify stylistic performance practices for vocal and instrumental music.

Includes stylistic performance practices appropriate for various historical periods and ensembles.

 

Apply techniques of scoring and arranging in a school music situation.

Includes methods of scoring and arranging for various groups of instruments and voices.

 

Apply techniques of conducting to a given school situation.

Includes the common beat patterns and expressive techniques used in conducting.

 

Understand the relationship of music to other art forms.

Includes elements common to all art forms; elements unique to each art form; and ways in which music contributes to works of art in other media.

 

Understand ways to integrate music into other areas of the educational curriculum.

Includes ways to integrate music into other subjects at different grade levels and to interrelate music and other performing arts.

 

Understand teaching methods for elementary music education (K-5).

Includes types of teaching methods and educational approaches unique to music education; and skills and concepts appropriate for elementary music education.

 

Identify appropriate teaching methods for secondary music education (6-12).

Includes types of teaching methods and educational approaches unique to music education; skills, concepts, and activities appropriate for secondary music education; and types and characteristics of assessment methods unique to music.

 

Understand specialized music instruction (i.e., instruction for students with special education needs).

Includes learning objectives appropriate for gifted or disabled students; procedures for adapting music activities for students with special education needs in a mainstream situation; music activities appropriate for disabled students in a self-contained special education situation; and ways in which the music teacher can help other teachers use music in the instruction of students with special education needs.

 

Understand the basic values of music for all students.

Includes the application of music activities toward the development of aesthetic values; the realization of each individual’s musical potential; awareness of our broad cultural heritage; and opportunities for lifelong involvement in music.

 

Music History and Culture

Understand the developments in and characteristics of music from the major historical periods.

Includes major developments that characterize the baroque, classical, romantic, and modern periods.

 

Identify the contributions of major composers to the development of music history.

Includes the contributions of composers of the baroque, classical, romantic, and modern periods to the development of music history.

 

Identify types and characteristics of music (including instruments) from traditions that have influenced music in the United States.

Includes types and characteristics of Afro-American music; folk music based on European traditions; and music from South America, Central America, and the Caribbean.

 

Identify types and characteristics of traditional music (including instruments) from Asia, Africa, Europe, and the Middle East.

Includes types and characteristics of Asian, African, European folk, and Middle Eastern music.

 

Understand the relationship between music and American society and culture.

Includes significant musicians and composers and their contributions to the music of modern American society; ways in which examples of music from modern American society reflect the contributions of other cultures; ways in which society affects music; and ways in which music incorporates cultural and historical themes.

 

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Dance Minor - BS in Ed

MDE Standards - Dance

 

Guideline/Standard

1.0

Technique/Studio

Dance education programs will provide candidates:

1.1

An introduction to creative movement

1.2

A knowledge of dance forms, inclusive of:

·         Modern

·         Jazz

·         Ballet

·         Tap

·         Ethnic

·         Social

1.3

Opportunities to become proficient in at least two dance forms through continuous instruction and experience. 

1.4

A knowledge of tools and craft inclusive of:

·         improvisation

·         composition

·         repertory

·         production

·         performance

1.5

Opportunities for ongoing instruction and experience in improvisation, composition, repertory, production, and performance. 

1.6

Opportunities to experience and develop an appreciation and understanding of dance forms and styles from diverse cultures.

2.0

Pedagogy/Methods

Dance education programs will provide candidates:

2.1

Opportunities to develop, recognize, and foster creative and critical thinking skills through dance.

2.2

Opportunities to integrate dance education knowledge and skills with other disciplines.

2.3

Opportunities to design developmentally appropriate instructional experiences that promote the description and critical analysis of dance works, using a technical vocabulary based on the common elements of the discipline, i.e., space, time, force/energy.

2.4

Opportunities to design developmentally appropriate instructional experiences that introduce students to creative movement. 

2.5

Opportunities to design developmentally appropriate instructional experiences that introduce students to the six dance forms.

2.6

Opportunities to design developmentally appropriate dance programs for at least two dance forms.

2.7

Opportunities to design instructional experiences that address the historical and cultural contexts of the various dance forms.

2.8

Opportunities to design instructional experiences which connect the Michigan Curriculum Framework with dance education.

2.9

Knowledge and skills to design and modify developmentally appropriate dance instruction for students of different ages and abilities in a variety of classroom and ensemble settings.

2.10

Knowledge and skills of multiple, authentic dance education assessment practices.

2.11

Opportunities to create developmentally appropriate standards-based curricula that include objectives, instructional strategies, and assessments for dance instruction.

2.12

Opportunities to experience and develop short and long term curricular planning skills as related to dance education. 

2.13

Knowledge and skills to teach students about movement science, nutrition, and injury prevention.

3.0

Knowledge

Dance education programs will provide candidates:

3.1

Opportunities to be introduced to, and apply, the Michigan Curriculum Framework.

3.2

Knowledge and skills of how history and culture contribute to the development of various dance forms.

3.3

Opportunities to describe dance and analyze works in their historical and cultural context.

3.4

Opportunities to describe and critically analyze dance works using aesthetic and technical vocabulary based on the common elements of the discipline, i.e., space, time, force/energy.

3.5

Opportunities to develop knowledge and understanding of the global history of dance and dance education.

4.0

Instructional Management

Dance education programs will provide candidates:

4.1

Multiple strategies for creating safe, positive, active, and engaging learning strategies and environments for dance and dance education.

4.2

Opportunities to develop instructional dance education experiences that foster self-management and reflective behaviors.

4.3

Opportunities to use dance education strategies and resources to meet the needs of diverse learners.

5.0

Assessment

Dance education programs will provide candidates:

5.1

Initial assessment of candidate’s knowledge and skills upon admission into the program.

5.2

Periodic assessment to determine progress and support level within the program.

5.3

Assessment of candidate’s performance during the field experiences, including three-way and two-way conferences that involve student, cooperating field personnel, and university dance faculty.

6.0

Health and Safety

Dance education programs will provide candidates:

6.1

Knowledge of movement sciences, nutrition, and injury prevention.

6.2

Knowledge of student safety issues when planning and implementing dance instruction.

7.0

Professionalism

Dance education programs will provide candidates:

7.1

Opportunities to become involved with professional dance education organizations.

7.2

Opportunities to develop professional relationships with colleagues, parents/guardians, and community agencies during field experiences to support the growth and well being of dance students.

7.3

Opportunities to experience outreach projects that involve the greater community.

7.4

Opportunities to collaborate with school personnel for a variety of dance education and other instructional purposes.

7.5

Knowledge of laws related to dance education, e.g., equity, copyright, inclusion, privacy, confidentiality, and child abuse.

7.6

Opportunities for directed dance education field experiences with a variety of populations prior to student teaching.

8.0

Faculty

Dance education programs will provide candidates:

8.1

Methods instruction provided by dance education faculty who have had experience teaching dance in K-12 instructional programs.

8.2

Faculty that have masters or doctoral degrees, or equivalent experience, and comprehensive knowledge of dance education theory, pedagogy, or practice.

8.3

Faculty who demonstrate active involvement in appropriate professional dance and dance education organizations.

8.4

Faculty who demonstrate continuous professional growth through presentations, participation, and attendance at relevant dance and dance education workshops and conferences.

9.0

Technology

Dance education programs will provide candidates:

9.1

The opportunity to use a variety of dance related equipment, materials, and technology in large and small group instructional settings.

9.2

Knowledge and skills related to the technological innovations related to dance, dance performance, and dance education.

10.0

Advocacy

Dance education programs will provide candidates:

10.1

Knowledge and skills to analyze how dance and dance education function within the context of schools and communities.

10.2

Opportunities to promote artistic expression and physical activity as contributors to the health and well being of individuals and communities.

10.3

Opportunities to develop communication skills and strategies that promote the role of dance in education and society to colleagues, community, and policy leaders.

 

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Interpersonal and Public Communication Major - BA, BAA, BS

Upon graduate, students earning any of these degrees should be able to:

  1. Students who graduate with a major or minor in Interpersonal and Public Communication should understand the knowledge base and the scholarly and critical practices that constitute the field of communication.  Specifically, graduates should be able to:

    1. identify and explain the theoretical concepts central to the study of interpersonal, public, and organizational communication and identify the communication behaviors that reflect those concepts; and

    2. identify and explain the different methods used to study communication.

  2. Students who graduate with a major or minor in Interpersonal and Public Communication should be able to enact the scholarly and critical practices of the communication discipline.  Specifically, graduates should be able to:

    1. locate, synthesize, and evaluate information from relevant print, electronic, and human sources;

    2. evaluate the validity of arguments in oral and written messages;

    3. argue the ethical implications of a given communication behavior in a specific context; and

    4. evaluate the message strategies in interpersonal, public, and organizational contexts.

  3. Students who graduate with a major or minor in Interpersonal and Public Communication should be able to apply the knowledge of the communication discipline.  Specifically, graduates should be able to:

    1. exhibit competent interpersonal and public communication;

    2. construct reasoned arguments;

    3. solve communication problems systematically, creatively, and effectively; and

    4. use communication to establish mutually rewarding social and professional relationships appropriate to the students' aspirations and abilities.

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MA in Speech Communication and Dramatic Arts

Upon graduation, students earning this degree should be able to:

Cognitive/Knowledge

  1. Name and explain theories central to the communication discipline;

  2. Compare and contrast the different research methods used when conducting communication research;

  3. Recognize ethical issues in the discipline and when conducting research;

Behavioral/Skills

  1. Critically analyze and communicate knowledge of the discipline orally and/or in writing;

  2. Collect and synthesize current research in the discipline;

  3. Design, conduct, and defend an original research project; and

Affective/Dispositions

  1. Describe the importance and complexity of human communication

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Speech Major - BS in Ed, Secondary

 

MDE Standards - Speech

 

Guideline/Standard

1.0 Standards for the Structure of the Speech Teacher Education Program
1.1 The teacher education program in speech will embody a philosophy consistent with the Michigan Curriculum Framework, including its Content Standards and Benchmarks, Teaching and Learning Standards, Assessment Standards, and Professional Development standards.
1.2 The teacher education program in speech will contain a clearly defined curriculum that covers a wide breadth of the speech disciplines, including content knowledge, pedagogy, and attitudes.
1.3 The teacher education program in speech will provide a liberal arts perspective in the speech major and encourage interdisciplinary study or a secondary teaching field.
1.4

The teacher education program in speech will include a variety of field experiences designed to promote knowledge of theory and practice in speech.  The preservice teacher will have varied opportunities to apply content knowledge and learning theory in supervised laboratory and clinical experiences.

1.4.1 Prospective teachers of speech will complete a variety of pre-student teaching clinical experiences, including observing in speech classrooms with certified, experienced teachers.
1.4.2 Prospective teachers of speech will work with appropriate grade-level students in one-on-one coaching or in performance evaluation.
1.4.3 Prior to student teaching, prospective teachers of speech will successfully complete micro-teaching experiences and additional field experiences in environments where effective practices are modeled and supported, including experiences with diverse populations.
1.4.4 During their student teaching experience, prospective teachers of speech will be placed with certified cooperating teachers trained in speech
1.4.5 Prospective teachers of speech will submit a preservice portfolio that documents the student teaching experience and other preservice activities that demonstrate reflective practices and teaching/learning processes.
1.5 The teacher education program in speech will provide opportunities to develop administrative and participative competencies in co-curricular programs, such as forensics, debate, and theatre.
1.6 The teacher education program in speech will ensure that sufficient coursework and appropriate faculty are available to enable the student to matriculate efficiently through the program.
1.6.1 Courses are offered on a systematic and regular basis.
1.6.2 Faculty model appropriate pedagogy and activities for instruction in speech.
1.6.3 Pedagogy courses are taught by faculty with training and experience in speech.
1.6.4 Preservice experiences are supervised by faculty, or staff, with training in the appropriate subject matter.
2.0 Standards for Professionalism
2.1 Teachers of speech demonstrate professional practices when they respect the worth, contributions, abilities, and language of all learners to encourage each individual to maximize his or her role as a receiver or listener in the oral communication process.
2.2 Teachers of speech demonstrate professional practices when they help students understand their own and others’ cultures, abilities, and language to increase an awareness of the effect audiences have on the presentation and reception of oral messages.
2.3 Teachers of speech demonstrate professional practices when they develop students’ effective use of oral, written, and visual literacy in their daily lives.
2.4 Teachers of speech demonstrate professional practices when they develop students’ effective use of critical thinking, implementing classroom activities that use speech to facilitate various tenets of critical thinking (e.g., exercises in developing and responding to questions; practice in the oral statement of positions; evaluation of play productions or presentations).
2.5 Teachers of speech demonstrate professional practices when they promote students’ appreciation of an engagement in the arts and humanities.

2.6

Teachers of speech demonstrate professional practices when they engage regularly in professional growth as a speech professional, through participation in conferences, professional development opportunities, the reading of professional journals, and/or the writing of articles for publication, and reflective practice with an emphasis on inquiry-based teaching that will improve instruction and other services to students.
2.7 Teachers of speech demonstrate professional practices when they work with colleagues, parents, community members, and professional organizations to develop an appreciation and understanding of speaking, listening, and the performance arts.
2.8 Teachers of speech demonstrate professional practices when they promote collegiality with other literacy professionals through regular conversations and consultations about student learners, literacy theory, assessment, and instructional practices.
2.9 Teachers of speech demonstrate professional practices when they join and participate in professional organizations, such as the Michigan Association of Speech Communication, the Central States Communication Association, the National Communication Association, the Michigan Speech Coaches Incorporated, the Midwest Theatre Association, and the Association for Theatre in Higher Education.
2.10 Teachers of speech demonstrate professional practices when they participate in regular preservice and professional development opportunities that reflect national and state standards in English Language Arts and the Teaching and Learning Standards of the Michigan Curriculum Framework.
2.11 Teachers of speech demonstrate professional practices when they assist with and/or direct associated or community activities that promote speaking, listening, and/or oral performance.
3.0 Standards for Knowledge of Content and Curriculum
3.1 Meaning and Communication
3.1.1 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the appropriate use of authentic experiences in communication in a variety of rhetorical situations; demonstrate or model appropriate communication behaviors.
3.1.2 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the integrated nature of the English language arts listening, speaking, reading, writing, viewing, and representing).
3.1.3 Teachers of speech will have knowledge of and be able to demonstrate knowledge of oral communication models (paradigms) and an awareness of the interdependence of their various components.
3.1.4 Teachers of speech will have knowledge of and be able to understand how the structure and conventions of language (e.g., patterns, and dialects) affect the oral communication process.
3.1.5 Teachers of speech will have knowledge of and be able to understand the social, cultural, and dynamic nature of verbal and nonverbal language and how language choices affect people.
3.1.6 Teachers of speech will have knowledge of and be able to analyze oral, written, and visual texts to determine their style, voice, and language choices, and evaluate their appropriateness to context, purpose, and audience.
3.2 Literature and Understanding
3.2.1 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the distinct characteristics of the forms of oral, written, and visual literature (e.g., film, reader’s theatre, personal narrative).
3.2.2 Teachers of speech will have knowledge of and be able to show knowledge of and experience with key concepts and themes in a wide variety of quality contemporary and classic illustrations of oral literature, appropriate for different developmental levels and contexts.
3.2.3 Teachers of speech will have knowledge of and be able to use oral, visual, and written texts to explore and address important issues and problems in communities beyond the classroom.
3.3 Genre and Craft
3.3.1 Teachers of speech will have knowledge of and be able to demonstrate an understanding of and use appropriately the verbal and nonverbal features of the English language in a variety of contexts.
3.3.2 Teachers of speech will have knowledge of and be able to demonstrate an understanding of how conventions of usage are adapted to different communicative situations (e.g., organizational patterns, and transitional devices).
3.3.3 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the characteristics of various communication purposes (e.g., to inform, to persuade, to entertain).
3.3.4 Teachers of speech will have knowledge of and be able to demonstrate an understanding of how expressive choices (e.g., theatre performance, public address) influence a reader’s, listener’s, or viewer’s feedback.
3.4 Skills and Processes
3.4.1 Teachers of speech will have knowledge of and be able to demonstrate an understanding of multiple strategies for constructing and conveying meaning through a variety of print and nonprint texts.
3.4.2 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the processes of and the strategies for effective listening at different developmental levels.
3.4.3 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the skills and processes necessary to communicate effectively in oral and written forms for a variety of audience and purposes.
3.4.4 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the appropriate methods for revising and editing print and non print texts (e.g., speeches, theatre characterization, debate case revision).
3.4.5 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the inquiry process and the resources appropriate for investigating particular questions and/or topics.
3.4.6 Teachers of speech will have knowledge of and be able to demonstrate an understanding of critical standards and methods to make judgments about the craft, aesthetics, and significance of texts.
3.4.7 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the fundamental importance of truthfulness, responsibility, and ethics when communicating in diverse contexts.
3.4.8 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the special skills required to engage in performance arts, such as oral interpretation and theatre production.
3.4.9 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the special skills required in the production of mass media, such as radio and television broadcasting, or film production.
3.4.10 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the principles and application of audience analysis when preparing print or nonprint texts.
3.4.11 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the principles and application of organization when preparing print or nonprint texts.
3.4.12 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the principles and application of delivery when generating print and nonprint texts.
3.4.13 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the principles and application of audio-visual materials when preparing print and nonprint texts.
3.4.14 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the principles and application of reasoning and tests of evidence when preparing or responding to print and nonprint texts.
3.4.15 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the principles and application of group process as a communication framework (e.g., problem-solving and conflict resolution).
3.4.16 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the principles and application of argumentation and debate.
3.4.17 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the administration and management of interscholastic speech activities.
3.4.18 Teachers of speech will have knowledge of and be able to demonstrate an understanding of the theory and application of listening principles in the classroom and real world settings.
4.0 Standards for Pedagogy (Instruction and Assessment)
4.1 Instructional Design
4.1.1 Teachers of speech will be able to create learning environments (e.g., classroom, and theatre rehearsal) that provide for oral communication opportunities in a variety of rhetorical situations (e.g., public speaking, interviews, and oral interpretation).
4.1.2 Teachers of speech will be able to create learning environments which promote an understanding of differences (e.g., historical, regional) in language use within professional and community environments, including issues which relate to ethnicity, social class, gender, and cultural, and/or regional background.
4.1.3 Teachers of speech will be able to engage students in interpreting and evaluating ideas presented through independent or interdependent oral, written, and visual forms (e.g., live performance, technological resources), as well as analyzing the language, style, and voice in which these ideas are presented.
4.1.4 Teachers of speech will be able to create activities that will illustrate for students the verbal (e.g., connotation, denotation, literary devises) and nonverbal (e.g., paralanguage, proxemics, kinesics) features of language.
4.1.5 Teachers of speech will be able to craft activities to illustrate how literary expression and performance techniques enhance students’ understanding and appreciation of various print and nonprint texts.
4.1.6 Teachers of speech will be able to design classroom instruction that emphasizes ethical behavior in multiple communication contexts.
4.1.7 Teachers of speech will be able to design and implement assignments that require students to understand and apply responsible research techniques (e.g., validity and verification of sources, contextual authenticity) using a variety of reliable resources.
4.1.8 Teachers of speech will be able to structure assignments that enable students to document and evaluate the development of their oral abilities using standards (e.g., rhetorical and aesthetic criteria) that require diverse examples of authentic print and nonprint texts for different audiences and purposes.
4.1.9 Teachers of speech will be able to enable students to set goals, reflect, and self-assess their communication at different developmental levels.
4.1.10 Teachers of speech will be able to develop and use evaluative tools to assess public performance.  Such tools (e.g., rubrics, scoring guides, ballots, oral critiques) should help the student understand the standards and performance expectations prior to preparation and delivery of a public performance or to apply critical standards for evaluating communication. 
4.2 Instructional Strategies
4.2.1 Teachers of speech will be able to model, and demonstrate for students, strategies and techniques (e.g., audience analysis, organizational patterns, evidence and reasoning, delivery skills, audio-visual materials) to provide for effective communication experiences in diverse contexts.
4.2.2 Teachers of speech will be able to model, demonstrate, and provide activities that encourage students to recognize and apply principles of effective group communication (e.g., problem-solving groups, conflict resolution, and peer counseling).
4.2.3 Teachers of speech will be able to model and demonstrate strategies that encourage students to recognize and apply principles for effective listening (e.g., purposes for listening, habits of effective listeners, filters).
4.2.4 Teachers of speech will be able to model, demonstrate, and provide activities that encourage students to recognize and apply principles for effective argumentation and debate (e.g., tests of evidence and reasoning).
4.2.5 Teachers of speech will be able to structure simulations, improvisations, and participatory activities that encourage students to practice oral communication skills.
4.2.6 Teachers of speech will be able to model for students effective speaking listening, reading, writing, viewing, and visually representing practices through activities and classroom instruction.
4.2.7 Teachers of speech will be able to model consistently ethical principles in all communications with students both in and out of the classroom.
4.2.8 Teachers of speech will be able to model consistently the application of evaluative criteria when providing constructive feedback on student performances and other relevant communication events (e.g., public speeches, theatre performances, media broadcasts).
4.3 Assessment Strategies
4.3.1 Teachers of speech will be able to enable students to evaluate through appropriate assessment systems (e.g., rubrics, scoring guides, ballots, oral critiques) personal and peer choices of communication elements (e.g., message, organization, channel) as appropriate to a particular audience, context, and purpose.
4.3.2 Teachers of speech will be able to evaluate student construction and editing of print and non-print texts using appropriate speech assessment instruments that represent rigorous standards and reflect the critical components of the Michigan Curriculum Framework (MCF) Content Standards and Benchmarks.
4.3.3 Teachers of speech will be able to design frequent assessments that take into account communication anxiety and monitor student progress over time using increasingly more sophisticated standards.
4.3.4

Teachers of speech will be able to assess students’ ability to distinguish how similar content might be presented in oral, visual, and written forms of literature.

4.3.5 Teachers of speech will be able to assess students’ depth of understanding of important ideas, issues, themes, and perspectives from a wide range of texts demonstrating historical and cultural diversity.
4.3.6 Teachers of speech will be able to assess communication in the context of appropriate ethical behavior.
4.3.7 Teachers of speech will be able to evaluate, as appropriate, student mastery of essential content through tests, quizzes, essays, and other objective assessments.  Mastery of concepts can also be assessed through performance or project-based demonstrations (e.g., portfolio, real world project, prompt book, speech outline).
4.3.8 Teachers of speech will be able to use diverse assessments to determine students’ mastery and application of effective listening behaviors.
4.3.9 Teachers of speech will be able to evaluate, as appropriate, student mastery of essential content through tests, quizzes, essays, and other objective assessments.  Mastery of concepts can also be assessed through performance or project-based demonstrations (e.g., portfolio, real world project, prompt book, speech outline).
5.0 Standards for Organizing, Administering, and Implementing School Co-Curricular or Extracurricular Programs in Speech 
5.1 To enhance co-curricular and extracurricular experiences for students, the speech program director will have an appropriate understanding of the co-curricular and extracurricular application of speech experiences (e.g., debate, discussion, legislative simulations, oral interpretation or performance studies, mock trials, public speaking, theatre festivals, etc.), including:
5.1.2 an understanding of the theory and principles relating the speech and theatre activities of the school district; and
5.1.3 An understanding of the process that is associated with the administration of a co-curricular or extracurricular program.
5.2 Teachers of speech will facilitate learning by providing appropriate opportunities for growth and development, including but not limited to: 
5.2.1 Professional development experiences for faculty and staff to enhance knowledge of contemporary theory and techniques in forensics, media, oral interpretation or performance studies, and theatre education;
5.2.2 Institute experience to immerse students in the application of the principles of forensic education, media studies, oral interpretation or performance studies workshops, and/or theatre performance or technical proficiency clinics; and
5.2.3 Seminars in adjudication for school representatives in various speech activities and events.
5.3 Teachers of speech will collect and disseminate information about performance results in co-curricular and extracurricular activities to appropriate news and information sources, including:
5.3.1 Providing participants will concurrent evaluations of performance with notations on areas of strength, areas that need modification or improvement, and recommendations for participants to respond to current academic challenges that are part of the co-curricular or extracurricular program;
5.3.2 Informing allied professionals and paraprofessionals to facilitate knowledge of the performance of students and to provide a framework for cooperative assessment;
5.3.3 Communicating with parents to promote an understanding of the activities and performance of their child in speech events; and
5.3.4 Implementing a regular notification policy to administrators, staff, school board members, and other components in the local community of the progress of the co-curricular and extracurricular speech programs.
5.4 Teachers of speech will promote the inclusion of speech programs in the curriculum, including:
5.4.1 Demonstrating research or educational reviews that support the benefits of inclusion of speech activities in the educational classroom (e.g., classroom debate practices, role playing exercises, storytelling activities, critical thinking activities); and
5.4.2 Providing formal and informal assessment tools to encourage professional colleagues to implement speech activities in diverse classrooms.
5.5 Teachers of speech will establish guidelines for the administration of co-curricular and extracurricular speech programs, including:
5.5.1 Implementing provisions for adequate financial support for a program with support for registration fees, food and lodging costs, transportation, and materials and supplies;
5.5.2 Ensuring that appropriate liability and insurance requirements are in effect and that appropriate notification procedures exist to provide protection for the personnel and participants in a co-curricular or extracurricular program; and
5.5.3 Providing written policies for the determination of participants in activities, including specification of the selection process, sanctions for noncompliance, and expectations for behavior and conduct that are inherent in a student commitment.  All policies should be consistent with the procedures of the school district and receive a favorable review from the appropriate administrative personnel prior to implementation.

 

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Theatre and Interpretation Major - BA, BS

 

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